{"id":351,"date":"2026-05-11T17:34:08","date_gmt":"2026-05-11T17:34:08","guid":{"rendered":"https:\/\/www.francoaccursiogulino.it\/?page_id=351"},"modified":"2026-06-18T16:59:47","modified_gmt":"2026-06-18T16:59:47","slug":"spettatori","status":"publish","type":"page","link":"https:\/\/www.francoaccursiogulino.it\/en\/spettatori\/","title":{"rendered":"Spettatori"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"351\" class=\"elementor elementor-351\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7498fa6 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-parent\" data-id=\"7498fa6\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-777146a elementor-widget elementor-widget-html\" data-id=\"777146a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-1bec723 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-parent\" data-id=\"1bec723\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-61650e1 elementor-widget elementor-widget-text-editor\" data-id=\"61650e1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p class=\"translation-block\">In the sculptural collection <span class=\"titolo\">Spettatori<\/span> (Spectators) the partial dematerialization of some figures, the fleetingness of poses and movements, profiles and outlines, which are at intervals visible and then blur, bring the story of existence to a visual plane, from tragedy to the most mocking gesture. In 2001 the art video <span class=\"titolo\">Ferdinandea l'isola pensante<\/span> was filmed (paintings by Franco Accursio Gulino, directed by Daniele Salvo and Claudio Pappalardo, a Co-production of the Municipality of Palermo with Fahrenheit 451, Turin's theatre); inside this video gypsum sculptures become \"spectators\" of an oneiric world where contemporary man is restless, bewildered, unstable, caught in the painful spiral of its evolution'<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p class=\"translation-block\">In the sculptural collection <span class=\"titolo\">Spettatori<\/span> (Spectators) the partial dematerialization of some figures, the fleetingness of poses and movements, profiles and outlines, which are at intervals visible and then blur, bring the story of existence to a visual plane, from tragedy to the most mocking gesture. In 2001 the art video <span class=\"titolo\">Ferdinandea l'isola pensante<\/span> was filmed (paintings by Franco Accursio Gulino, directed by Daniele Salvo and Claudio Pappalardo, a Co-production of the Municipality of Palermo with Fahrenheit 451, Turin's theatre); inside this video gypsum sculptures become \"spectators\" of an oneiric world where contemporary man is restless, bewildered, unstable, caught in the painful spiral of its evolution'<\/p>","protected":false},"author":1,"featured_media":707,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-351","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.francoaccursiogulino.it\/en\/wp-json\/wp\/v2\/pages\/351","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.francoaccursiogulino.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.francoaccursiogulino.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.francoaccursiogulino.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.francoaccursiogulino.it\/en\/wp-json\/wp\/v2\/comments?post=351"}],"version-history":[{"count":10,"href":"https:\/\/www.francoaccursiogulino.it\/en\/wp-json\/wp\/v2\/pages\/351\/revisions"}],"predecessor-version":[{"id":1317,"href":"https:\/\/www.francoaccursiogulino.it\/en\/wp-json\/wp\/v2\/pages\/351\/revisions\/1317"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.francoaccursiogulino.it\/en\/wp-json\/wp\/v2\/media\/707"}],"wp:attachment":[{"href":"https:\/\/www.francoaccursiogulino.it\/en\/wp-json\/wp\/v2\/media?parent=351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}