{"id":19,"date":"2026-05-05T15:22:18","date_gmt":"2026-05-05T15:22:18","guid":{"rendered":"https:\/\/www.francoaccursiogulino.it\/?page_id=19"},"modified":"2026-06-18T16:47:58","modified_gmt":"2026-06-18T16:47:58","slug":"lavagne","status":"publish","type":"page","link":"https:\/\/www.francoaccursiogulino.it\/en\/lavagne\/","title":{"rendered":"Lavagne"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"19\" class=\"elementor elementor-19\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7498fa6 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-parent\" data-id=\"7498fa6\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-777146a elementor-widget elementor-widget-html\" data-id=\"777146a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-4a4e9ba e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-parent\" data-id=\"4a4e9ba\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-a9e4786 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no elementor-invisible e-con e-child\" data-id=\"a9e4786\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;animation&quot;:&quot;slideInLeft&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-924ff7a elementor-widget elementor-widget-text-editor\" data-id=\"924ff7a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p class=\"translation-block\">\"The symbolic language used by Gulino in some of his works passes from a connective grammatical structure to a freer syntactic organization of mobile elements, as if they were surfacing from the magma of primordial indistinction, which autonomously find their place to the point of circulating freely inside the work and outside it. The thick mesh of his \"blackboards\" creates a crossfire of optic-perceptive illusions and open to a new land of the Absolute where signs are no more simple signs since they have lost their cross-reference to their meaning\". (Gianluca Ranzi, <span class=\"titolo\">Franco Accursio Gulino-In medio stat virtus<\/span>, Fondazione Orestiadi of Gibellina, 2003)<br \/><br \/><\/p><p class=\"translation-block\">Oil paintings on wood and on canvas of the <span class=\"titolo\">Lavagne<\/span> show dancing bodies, twisted and joyful at the same time, engaged in performing mysterious acrobatics. Figures change sex, shape and identity, and perspective planes and physical space are no more distinguishable. &amp;lequo;Colours, drawings and the rough truth of wood\u00bb writes Riccardo Ragozzini \u00abgive birth to this wild dance. A story which often becomes a desperate scream and a cry of protest\u00bb.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Il segno-linguaggio adottato da Gulino in alcune delle sue opere passa da struttura grammaticale connettiva ad una organizzazione sintattica pi\u00f9 libera di elementi mobili, come affioranti dal magma dell&#8217;indistinzione primordiale, che trovano autonomamente la propria collocazione fino a circolare liberamente nello spazio dell&#8217;opera e anche al di l\u00e0 di essa. Le fitte maglie delle sue &#8220;lavagne&#8221; inducono un fuoco incrociato di giochi ottico-percettivi e aprono su un nuovo territorio dell&#8217;assoluto dove i segni non sono pi\u00f9 veramente tali perch\u00e9 hanno perso la loro funzione significante di rimando al significato&#8221;. (Gianluca Ranzi, Franco Accursio Gulino-In medio stat virtus, Fondazione Orestiadi di Gibellina, 2003) Gli olii su legno e tela delle Lavagne mostrano corpi danzanti, contorti e festanti al tempo stesso, impegnati in misteriose acrobazie. Le figure mutano di sesso, forma e identit\u00e0 e non distinguiamo piani prospettici n\u00e9 spazi fisici riconoscibili. \u00abI colori, i disegni e la ruvida verit\u00e0 del legno\u00bb, scrive Riccardo Ragozzini, \u00abdanno vita a questo ballo sfrenato. Un racconto che spesso si eleva a urlo disperato e a grido di protesta\u00bb<\/p>","protected":false},"author":1,"featured_media":213,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-19","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.francoaccursiogulino.it\/en\/wp-json\/wp\/v2\/pages\/19","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.francoaccursiogulino.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.francoaccursiogulino.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.francoaccursiogulino.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.francoaccursiogulino.it\/en\/wp-json\/wp\/v2\/comments?post=19"}],"version-history":[{"count":17,"href":"https:\/\/www.francoaccursiogulino.it\/en\/wp-json\/wp\/v2\/pages\/19\/revisions"}],"predecessor-version":[{"id":1293,"href":"https:\/\/www.francoaccursiogulino.it\/en\/wp-json\/wp\/v2\/pages\/19\/revisions\/1293"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.francoaccursiogulino.it\/en\/wp-json\/wp\/v2\/media\/213"}],"wp:attachment":[{"href":"https:\/\/www.francoaccursiogulino.it\/en\/wp-json\/wp\/v2\/media?parent=19"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}